#maybe... making your own character art Isnt so horrific....

[carnivalcarriondiscarded]

WOE! IDIOT WHITEBOARD SCRIBBLES BE UPON YE!

[silky-silks]

Okay can I talk?

eric belonging to @night-light-artz

Patches @eve-pie

Okay for the image above I was doing a “mock” warrior cat book. I miss the old covers but anyway

I kinda feel my art is…boring. I mean it just feels that way. Sometimes I feel I rush myself to get things done, and to be honest I hate having to rush myself. I look back at my recent post and they just fall FLAT. Flat as in the colors are just boring as heck. Lineart? I don’t really like. Not only that but everything feels so unpolished

My anatomy/details

I hate the fact I miss crucial details of my chat starts or even other people characters. I mean, HAVE YOU SEEN HOW I DONT EVEN ADD SILKY’s ANTLERS 99% of the time? That bothers me. And I see other people add them and I’m just “well damn I’m so lazy I can’t even add antlers on my own fucking character”.

Not to mention the poses. Everything feels so stiff with me. So dang stiff that you may as well call my art wood and use it as a support beam. I hate how I don’t use references for my art. Maybe If I used them more and actually took my time stuff wouldn't look like your average horrific Netflix Original cartoon of some movie.

Backgrounds/minor objects.

Do not get me started. I hate all of them. They look so low effort. I mean, I know I can do better with them! But it seems like I worry about the main characters so much. In fact, I feel the background just falls flat or blends in too much with the characters that it looks. Messy. If I draw a cup, i'll skip over details and it will look awful! Which isnt good, as it shows im lacking severly.

Time

And for time I rush. I feel like I have to literally push things out by day’s end and well…it affects my art. Lately o just been so focus on the hour and time it just makes the art suffer. Even if no one else sees it I do. I love my painted style, but it takes quite some time. And forgive me but I hate just doing sketches to and posting it. I prefer my art to be colored in and all the way. Now im not saying i dont like it when other people sketch. That would be a dick-head move of me.

Some days I fear if I don’t post or read inboxes everyone is going to think I purely abandoned them. I try to focus on my page. but just giving them a sketch at the end well...it makes me feel as if I just dissapointed them. I think to myself and say "I could have done better than that. Why did you even do that in the first place {Name}. "

I have like so much on my agenda and plans and then i realize I can’t do it all in one day. Hell sometimes I just make one day spefically on one subject.

If that day was animation day; I focus on an animatic.

If a certain day is art day and I want to set up my commission page (which is so messy I deleted it) then that’s the settled day. But I feel like I’m going so slow. It's like I am running out of time, and time is just passing by as I look at my clock.

And I'm not blaming anyone it's just my stupid head that makes me feel this way. I know no one is trying to rush me. But head is like "Oh but what if- and why not-". It bothers me. It clouds my vision and i don't realize in reality...no one is saying the things my brain is saying. Sometimes I feel like I'm bothering people when i draw their charcaters so much and tag them. I fear they just say 'Aw great it's this one person again."Sometimes I feel I need to be MORE original. And some days i feel i just need to give up entirely. Some days I think posting everyday will aggervate folks. Sometimes I envy the attention of others, and when I see what they gain or what following I have i look back at myself and say "Well maybe if you did this better than MAYBE you people will be interested in ya". And damn do i slam my head in a wall. Everyone just seems so happy, and yet here I am fretting over if this fucking dog I drew looks remotely interesting. And I just feel it...blends in. Like what is there so special about my art?

MY BLOG

And for this blog, I don't know if I truly have an identity for myself. There's Silky, there is Minty and Syrup, there is Simon and there is Shrimpy. But who do they belong to? What roles do they even serve in this blog? I want them to be my identity. I don't want them being just some sort of character leech. They lack story, they lack purpose, they are thrown in tropes and gag. But what do they relate to? Nothing. Nothing at all. And yeah yeah I know im thinking to DEEP into this. But it's been on my mind so much. And hell call me crazy for talking about them if they are real, but they mean a lot to me. A LOT.

So I tried to make my art interesting here like, i tried referencing images space. I tried adding more anatomy to Snowy since I am tired of doing the usual standing up pose. I even wanted to make the background feel more detailed. I feel a bit better, but I still fear everything is too...eh...bland. Maybe it is just me.

Sorry for the ungodly word of text. I know I shouldn't vent here.

[normystical]

hrhrgrgrggr i wanna make an animatic of becky apples with certain hazbin hotel characters but i can't. and like even if i had the motivation this very second i do not have TIME FOR THAT so uhh might just spill my ideas all over here w/ altered lyric captions

husk . lucifer . ugh !! husk

i bet lucifer's got perfect hair [vox imitating sweeping hair back cuz he's a jealous and bald mfer lmfao]

husk. husk's got stupid STUPID [ears? claws? idk tbh but he doesn't have hooves so we're changing that lyric,,]

i'm never gonna eat another appLE EVER AGAIN!! [god have mercy on my mediocre art skills bc i will have to illustrate vox not only crushing an apple but with his clawed ass hands]

OO it reallt bunches my f luff to thrink how badly he hurtyou. bbg. tell me your story

[idk what to do with the lines "i left my rider so that i could raise an army (so that you could raise an army) then c-doug popped up and he said something alarming (oo, what'd he say?) he told me that my best friend's ridden (no!) another horse so pretty (no way!)" but i do want to have the latter two lines have charlie just talking about alastor and lucifer fighting all the time like haha those guys. those silly little rascals]

and his name is lucifer [morningstar/the king of hell/HIMSELF] because UGH of course it is !! !

lucifer lucifer whag a gorgeous famcy SCHMUCK luci how you like em apples cuz i think ur apples SUCK [naybe at that part i animate an apple pelted at luci just for shits and giggles itll be fun trust me] lucifer lucifer ggeues what i knew alastor first and while technically i dont know lucifer i know hes the WORST

ugh he is soo the worst vocks . right?? its unbelievable !! stupid luci. but can i tell you about someone whos,, kind of a total lucifer in my life? okay i—i mean im kinda not done being mad about lucifer bu—

WELL I WAS flirtin glirtin with a slick promstoar (this is not the same situation.) he was the finest spider femboy that i ever pursued (rhere was more than one??) he played me like a ukulele (he did.) i dont want no drama baby (too late?) but i FLIPPED when i found out his boyfriend was a wwinged cat guy idk how to change this lyric tbh sorry guys

oh that husk[er] that husk[er]s got stupid pretty legs and i bet that angel dust would let HIM adopt his eggs [cut to vox being horrifically confused and weirded out for half a second] hUsK [angel talking about him happily] HuSk [angel talking to him on the phone] hUsK [angel greeting husk at the door] HuSk [angel moaning his mame while getting fucked lmao get fucked val wait wut] UGH !! even his wings are perkier !!

maybe husk's flirty boyfriend is the one whos the ACTUAL jerk here... UGH!! husk!! making me feel bad for projecting my own insecurities and displacing blame on HIM, when HE really did nothing wrong? UGH. hes the WORST.

[vox clear he throat]

OH RIGht! ur sad :3

i feel ur pain girl, im ur vindicator, and we dont know husk, lucifer, we just know we hate him . this isnt okay and this isnt fiiiine

...let it out bbg

[vox drops his face into val's fluff as he sighs]

its just i thoughgt al,, would always be miine

ok spilling out my ideas FINALLY done jesus fuck this sucks when it's explained rather than imagined or animated lmao

[semi-imaginary-place]

I started watching deca-dence

1: oh what was that called. there’s a name for this tech aesthetic.... also the city is floating on monster goo which is also their energy resource... is that really a good design?????? why is there open access to the monster goo i mean those kids are totally going to fall in. Oh boss dude’s a super secret agent thing. lots of reveals this ep. That action sequence at the end was really cool but wow i do not like those squishing sound effects. also, of all the livestock to raise, why cows??? per pound of protein, cows are horribly inefficient especially when land and resources like water are scare.

2. We have a post apocalyptic society and they kept bagpipes of all things??? I’ve noticed this in fiction and perhaps this is true of real life but sustained conflict coincides with the glorification of the warrior/soldier social class. oh god and now the creators are doing a post moderist take, yay capitalism. this is a good take on the isekai “transported to a game world”/mmo lightnovel genre (see past post). what makes something “real” I was playing of a ttrpg around that concept... mikey’s got all the flags to die horrifically and be part of kaburagi’s tragic backstory. lol kaburagi got turned into a mod. There’s also something dehumanizing and horrifying in managing a society like this all to maintain the status quo. so let’s see if I have this straight, the remnants of capitalism made deca-dence and then a bunch of little robot people who are incentivized via a game system to destroy the squishy monsters. the city design makes sense now it wasn’t made with things like safety or efficiency or any regard for the residents in mind, it was made to look cool. Living in a fuel tank is exactly the type of bullshit to expect from a videogame.

3: kurenai has the vibes of that one cool npc that the the main character out grows to show how strong you’ve become. (the trope is rife with misogyny. who was the one that talked about it? ... femfreq?), wonder what the show will do with it. good job deconstructing the instant expert trope. lit. unregulated capitalism. what is corporations replaced government but for little cyborg people. curious about this minato guy. the 175 years until decommission or whatever makes me wonder how long all of this has been going on. on the screen with the eurasia bubble, were other structures, so i wonder whats happening elsewhere in the world.

4. the game trailer style shots.... the juxtaposition of the tankers discussing battle strategy for a life or death situation, with the cyborgs excited for the next raid event and talking about the game’s story is real good. its a revolving door of mood whiplash. oof dramatic irony since the entertainment corp also seems to control gadoll numbers. Why do none of the Power wear armor? oh right aesthetics and game logic, i answered my own question. I was thinking about this for a little while but kaburagi really does have the set up to be an isekai/mmo light novel protag so I’m really glade we have natsume as well. If done improperly her character type can get kind of annoying, the show did a good job of humanizing her which is important since so much of the disconnect between a game world and a lived reality hinges on her. why isn’t altitude sickness a problem for anyone?

5. yikes. saved twice within the first 10 minutes. maybe dont charge in there natsume. and it was the cool lady too! oh shit limit release. now the stakes are up. isnt kaburagi totally going to get his little head chopped off and the his little green battery extracted.

...

...

...

6. I’ve always had a soft spot for the struggle against the inevitable and unmovable. i was wondering how they were managing the squishies population. just where is this lake? what weird ass hazing system has kaburagi ended up in... is this the slow part of the anime? where they save up frames for the finale?

7. i just realized that kaburagi purposefully chose dog faced characters twice in a row. like he can choose to look like whatever he wants and he good, i feel comfortable looking like this. good for him. How did they punch a hole in the wal anyways, mechanically? with gadoll? We’ve see that they can either change the projection surrounding deca-dence, or actually have full control of all material int he bubble. oh kabu-san you are finally starting to think. but its not the gadoll that are the root of the problem, its the deca-dence system. btw since cyborgs run on the green juice which i think is made from gadolls??? how does kabu plan on fueling everyone. he hasn’t thought about it has he. of course the gadoll have a kill switch. do the tankers have one...?

8. a setup episode. my heart was racing during the avatar retrieval part, so much tension. jill is great. not sure why kaburagi doesnt just tell natsume whats going on. i do think it’d be a shock and a lot to take in just like when the gadoll reset on the mountain, but it’d make coordinating much easier. as is taking her along while not telling her whats going on doesnt feel right. also the green slanty eyed cyborgs given me bad vibes from the start, after all he’s the one that told mikey about removing the limiter. I’m kinda sad we only have 12 episodes so we have to enter the finale already. i would have loved to see the tanker teams, natsume and fei, and minato and kaburagi relationships fleshed out.

9. YEAH YOU SHOULD HAVE TOLD HER EARLIER. so she would have time to process all that world shaking information not in the middle of the operation when it could cost her her life! also doesn’t this mean all the cyborgs still alive are now trapped in the waste disposal place.

10. i totally forgot about that tunnel. that said it looks kinda fragile, how’d it survive the explosion? And how did the robo crew get a hideout?? jill is amazing. she’s like a wizard. Natsume just doesn’t get a break, no ones explained to her the cyborg-avatar thing. I’m too invested in this show to analyze anything.

11. holy shit i wonder what the last few episodes were going to be about. they’re going to black hole the whole place. also we can finally hear pipopi! I thought it a bit funny pruple nose seemed to be taking advice for them but really eh was taking orders? so minato did the tremendously stupid thing of logging out and then hopping on a shuttle to get from orbit to deca-dence so he could talk to kaburagi face to face. even if they take out the gadoll, that doesn’t stop the deca0dence system from having a kill switch on the bubble.

12. POMDOROSA DID THE END SCENE ART. it really is 7 degrees of separation, they have a tumblr here. right as the natsume flashbacks started, I knew what was going to happen. Was it really safe inside the drill thing?? ah whatever. Kaburagi really went all out and busted himself huh. He probably didn’t actually need to use so much force that it’d break decadence. ah I’m rambling. I binged watched this show in 1 day. i started tearing up at the natsume flahsbacks... I dont remember what i just watched it was pure experience. I do wonder whats happening on other continents.. Jill! I can’t believe it took you 3 years to organize your files and find kaburagi’s backup! well i mean its realistic but still.

Deca-Dence is very good, like not even talking about the thematic stuff the execution in both animation and writing are both really good.

[genderfreezone]

Do you like the Evil Within 2?

Yeah! Certainly not as much as the first one (i was not immune to being sad they left out fan favorites Jojo and Ruvik's Cube)

The rest of this post is me rambling about things i didnt like about the game, and then things i did like (most of my issues are how they treat the female characters tbh)

Its missing kind of the action-noir-gone-horrifically-wrong feel of the first game. The scare factor also suffers bc our player character has been through this before, hes a veteran at dealing with this crazy shit, it doesnt phase him anymore and by extension it doesnt phase the player. They really like tripled down on the Evil Corporation thing and both the intrigue and horror suffer for it.

This game did not drink its respect women juice (the first one didnt really either, case in point: Everything About Kidman) Sebastian is surrounded by 5+ female characters and only 2 of them survive (and one of them is his 7 year old daughter hes spent the whole game trying to rescue... and yet they never bothered to give her any kind of characterization or agency. A highly empathetic and supernaturally powerful little girl in a monster-infested hellscape?? HELLO???? Lily really had the potential to be the most interesting, sympathetic, and complex character--especially as she slowly lost her innocence--in the WHOLE GAME, but she was just sort of relegated to Plot Device McGuffin) The rest of the female supporting cast are killed off for Sebastian's Man Pain. In fact, THIS ENTIRE GAME IS CENTERED AROUND SEBASTIAN'S MAN PAIN. Torrez is a walking stereotype, shes literally just Vasquez from Aliens. Hoffman was the most likeable and believeable, except when it Turns Out She Was In Love With Liam Or Whatever (psst, guess what, i dont care. Also O'neal was kind of a dick anyway? I dont care x2)

And you know who i SUPER dont care about? Bland-White-Bread-And-Mayo-Sandwich Myra. Where's the no-nonsense firecracker of a police lieutenant Sebastian married? Not here, thats for sure. Her entire personality is "mother" and "worries about stressed-out husband". We got more characterization of Myra in seb's jornals from the first game, where she never even made a physical appearance! Horror media does this SO MUCH, women are either A. Sexy Lamp B. Hurts Men (Sexily) C. Mother or D. Innocent Virgin. It sucks. Do better.

The story lacked the "digging up old buried memories" and "theres more to this than meets the eye" of the first game. It felt too...... Straightforward. Everyone told Sebastian the truth. EVERYTHING WAS EXACTLY WHAT IT SEEMED. It all felt too simple, too easy, like there SHOULDVE been something else beneath the surface. And yet there wasnt. (I watched markipliers playthrough and i loved his theory that Kidman was actually Lily. It had such potential. Kidman's entire resume for the police station was fabricated, who's to say the rest of her past wasnt fabricated as well? It would retcon a lot of stuff and like 80% of her backstory from the DLC, but you know games like this arent above retconning important shit, and at least it wouldve been sacrificed for something with actual intrigue. Maybe it wouldnt even retcon anything! Consider: tiny Lily is taken by Evil Corporation and dropped off in a non-nurturing environment that would lead her to become the kind of person who would willingly join & work for an organization like Mobius. At least wouldve been a nice excuse for why Kidman and Lilys face models looked so similar... other than... yknow.... "WomEN ARe hArD tO DRaWwwwwee")

Okay okay ive been ranting for long enough. It probably makes it sound like i kinda hate this game, but i dont! It certainly doesnt hold the same place in my heart as the first one (which i still have very glaring issues with lmao Kidman deserved WAAAAAAY better), but i do like it! It brings back salty, grizzled, tsundere Sebastian Castinellos. It brings back spooky monsters that kill you dead. It brings back having a fun theatrical over-the-top villain who takes himself a litte too seriously.

I love Stefano. Probably not in the way some other fans do, but i love him as a ridiculous theatrical over-the-top villain. He sucks! And i love that he sucks! I love him BECAUSE he sucks! Hes terrible and exaggerated and completely up his own ass and ITS GREAT. He isnt as ACTUALLY THREATENING as Ruvik was (even in his bad assassin's creed cosplay. I could go on and on and on about why Ruvik is simultaneously a ridiculous AND frightening antagonist and how much i love it but uh..... maybe later) but hes such a FUN villain! Hes the kind of pretentious art snob shitheel i cannot STAND irl, but in this game i LOVE to HATE him. Hes just SO over-the-top you kinda wonder if he actually subscribes to the pretentiousness he spouts, or if hes just being Exceptionally Extra.

The other villains? Theodore was.... forgettable. His monsters were forgettable. (Its like how i completely forgot that Frank Manera was a character in Whistleblower for like... 5 years lmao i guess this game also kinda followed that "having multiple named/characterized antagonists in one game" thing that Outlast did) Myra, i just didnt care. Her final design was kinda cool, i liked the red clusters of insect eyes. Her monsters werent really gross enough to be memorable. The only reson theyre gross at all is bc they kinda look like theyre made of semen. (I checked the wiki and apparently Myra's white goo is "psychoplasm" and her monsters lost 99% of their gross factor. I just dont care.) The Administrator literally just looked like a 3D human model of Maxwell from dont starve, and i have to laugh every time i see him. Hes not terribly threatening, all he does is threaten characters to work faster and doesnt actually follow through on those threats. He doesnt even make fun threats like HABIT or anything. He thinks hes so powerful and ominous that his mere presence will frighten the player but hes just kinda all bark and no bite. Hes The Big Bad Company Man so you know hes gonna get whats coming to him, and you know Kidmans gonna be the one to do it to him, so hes not even that much of a threat. Hes whatever.

Stefano definitely got all of the coolest monsters. Many Arms Buzzsaw Lady was terrifying and i love her. And OBSCURA was just *Chef's Kiss* Anima was cool, she kinda looked like a mix of Laura and Samara. The Harbingers were neat, but really only bc ive got a thing for gas masks. The rest of the monsters werent really unique or weighty/threatening enough to be memorable. Now the first game is a fucking TREASURE TROVE of unique monsters *muah* you got Sadist, Sentinel, Keeper, Amalgam, Heresy, Laura, Shigyo, the Twins, Alter Egos, and im probably forgetting some!! But holy FUCK!!!!! And if we're includong the DLC?? MOTHER FUCKING SHADE. SPOTLIGHT LADY. LIGHT WOMAN.  SEXY LEGS.  Whatever you call her, i fucking love her. Her design is so simple. Helmet. Sheet. Legs. Her voice? Unnerving as hell. Love it. (Also i just personally love the diving helmet. Also like you know how a lot of games have a spotlight mechanic where you have to avoid the light and if it lands on you, you're fucked? LET'S MAKE AN ENTIRE MONSTER OUT OF THAT. She's PERFECT.) Oh and also those weird crawling exploding dudes. They made gross sounds and it was great. (Tbh Keepers still probably my favorite, if only for horny reasons)

TATIANA HOW HAVE I NOT FUCKING TALKED ABOUT TATIANA. Shes like the ONE female character that i fucking LOVE in the sequel. I love how they finally gave her a personality, and that personality is literally just "fuck you, Sebastian" Oh GOD its great shes SO FUNNY. I just.... god i love Tatiana lmao. I love how she makes you kinda uncomfortable too, like she knows something, but she wont tell you bc youre stupid. I didn't like the kind of "all-knowing guide" thing they did to try and make her creepy (like she's a "guide" but then also turns around and is like "no i wont tell you what you need to know bc you """have to discover it on your own""" or whatever") it serves no purpose since she never gave you any actual information, and it didn't succeed in making her creepier, all it did was frustrate me. She was at her creepiest when she IMPLIED she was doing something behind the scenes or knew something you didn't know and then didn't elaborate (not REFUSING to elaborate, just... stopping talking and leaving the statement to hang in the air, like the "getting her nails done" and "its been a long time, detective" and the "now what makes you say that" from the first game) and she was at her funniest when she was interacting with Sebastian from the sidelines, her snide little comments and sarcastic clapping cracked me the fuck up. Tatiana not treating Sebastian seriously was a fantastic touch for a game that otherwise would probably take itself so seriously it would double back around to being silly. Without Tatiana, it would've been just another male-centric gun-toting "survival horror" game, and for the most part, it was just that. She was definitely a much-needed source of slightly derisive comedy and a definite high-point for me, even if they didn't so a great job of making her creepy or fulfilling her "purpose."

Oh I also really love the COLORS in TEW2. The first game fell into the trap of having the colors be totally washed out that a lot of horror stuff does, but it also kind of worked for it. Especially with the color pallette of our main villain and how the whole thing was His World. The saturation of the colors in the second game is a breath of fresh air and gorgeous to look at, and you can even see the color motifs of the game change with each new villain: the game starts out with Stephano has lots of blues and purples and dark reds, when Theodore takes over we get bright orange and yellow contrasted with black and brown, and in the climax with Myra the game goes back to having washed out colors and white (and with her villain design? Let's face it: they were kinda just trying to do Ruvik again) We did get portions that were still kind of wahed out whites and greens and greys, but it wasnt the ENTIRE game, even the big blood-and-brains splatterhouse sections of the first game kinda had their colors weirdly muted for that "Horror Aethetic."

In conclusion, i do like the evil within 2, but i also had a lot of problems with it. And i complain about these problems because i like the game and know it couldve done better, tried harder, and been a LOT more than it was (the wasted character potential is my real overarching pet peeve, probably becuase i loved the characters in the first game, and character development is kind of my whole jam) . But all in all, it was still a fun monster-zombie romp with at least one entertaining villain and fun-to-look-at designs and environments. It wasn't character or horror or even REALLY story driven in the way I know it COULDVE been, but i still had a fun time and enjoyed myself.

[kosmicdream]

Your Comic Baby

You know that comic or story that you made when you were a teenager (or sometimes even younger) that propelled you to really WANT to create it. FOR REAL. You put all your energy towards it, for years, determined that it was going to be the one you HAD to make. But then something doesnt go right because, comics are hard-- so you start over and over and over and each reboot gets a bit more discouraging because you have SO MUCH planned out for this thing and you’re just stuck in the loop of redoing the first 5 pages every couple of years. But something about that story, you just cant let go of. You still want to make it happen because you’ve invested and dedicated so much into it. I know that feeling. I call those stories.. your Comic Baby.

You might have a lot of babies. I know I do. But there’s always this one certain comic baby that i struggle with more than the others. Its a difficult baby because I first made this baby when I was 13. And over the course of my highschool years, I was very outspoken about how i was going to really make this a real book for everyone to read. I was constantly working on it, even taking sketchbooks and clipboards to draw it or the characters in class. People were waiting to read this story because they could see how passionate about it I was. But comics were a lot harder than I thought they would be in my mind. I mean, i knew they would be difficult but it was like my art wasn’t as good as I knew it could be when i drew comics. I didn’t get it. And I’d learn so much and so fast that once i got one chapter finished and ready to read, i didn’t like it anymore.

This process went on until i graduated highschool. This dream of making a comic. Specifically THIS comic. I had a lot of stories i was planning on doing, but there was this one comic i really REALLY invested just. My maximum comic energy into. It was different from the other comics and stories. Not that the other ones werent good, they just didnt have the same bond with me that I had with this story. This comic baby was gonna be the thing i was going to be known for and be the first comic i would presented into the world. And in the end.. it actually wasn’t.

I mean, it was, in a way. Eggshells is a prequel to that baby comic. Set in the same universe. Part of the same story, more like a mini test version reboot of the One True Baby Comic. I decided to give the comics thing another try and started to work on eggshells in August 2011, then to ink in Febuary 2012 and finally started to post it in 2013.. sometime.

I took a really long break from comics between finishing highschool and starting eggshells. I would try here and there, but not getting this baby comic out when i was still IN highschool somehow made me feel like a failure of an artist. I was very hard on myself. I didn’t really know if i was even capable of BEING a comic artist because my comics weren’t coming out how i wanted and I couldn’t finish anything. Besides that, I didn’t even know if I could even make them as a career. (I still don’t know if I can but I know I’m going to continue to try.)

When I decided to start Eggshells, i decided that it would be another attempt at my favorite baby comic because I knew that if any of my stories had the emotional legs to motivate me to get through to the final page-- it would be that one. That special baby comic. I poured so much work into planning and preparing everything in a very tradition sense. Scripts, thumbnails, drawing layouts and props and character turn arounds.. ect ect.

Then the fire happened and I lost my ‘comic bible’ of sorts. The rough draft sketches of the entire thing. It was very sad.

But even before then, actually inking pages was not very fun. Because the process i made for it was .. not very fun. I was running into the same walls that I always had when rendering comic panels. It just was too slow and I couldn’t get a consistent look that i wanted. I wasn’t sure where to put detail (or balance the detail) so I would over render constantly. I would zoom in too much. I didn’t know how much to shade and word bubbles annoyed me. I wasn’t very satisfied and I would spend way too much time on each page.

I felt pretty exhausted after trying to ink it for one year and not even getting through the first chapter. Doubt and old dread of not being capable of a comic artist weighed on my shoulders. Of course then, when the fire happened, i just decided to put all that aside again. My life kinda was.. thrown in a loop.

Similarly, my life has been thrown in another one of those loops. A different kind but still, the same sort of disoriented “where the fuck should i live” kind of things. Some of these feelings have come back, the anxieties and unsureness but.. mostly just remembering about them rather than feeling the SAME things. I have acquired a sense of accomplishment in my art .. just with a totally different comic that came out of no-where. (the worm one, you know.)

My relationship with my art has changed so much at this point and I’m so.. not.. what i had predicted for myself?? Not in a negative way. its just odd. FFAK is such a different comic than i thought I would make too. I would describe the experience of working on FFAK as like, im in a shitty junkyard car and ive decided to slam on the gas as hard as i can and see how far it’ll go. Then it just didn’t stop. It took me on a fucking journey but at 90 miles per hour. No careful consideration, so much explicit violence and sex, aggressive confrontations and social commentary. Sex hat jokes. I really got to see a side of myself that this story continues to bring out. And as I worked on ffak more and more, I would sometimes look over at the passenger seat at the Comic Baby. Crossing their arms judgmentally at me and giving me a look like “Having fun? What about ME? Wasn’t I the important one to you?? Am I not special anymore???”

So sometimes i’d feel bad. And try to work on that one again.. but it didn’t make me feel good. I felt like i had to ride the FFAK wave because that was what was happening in the present and I was discovering too much about myself to go back to this older thing that i had a frustrating history with. It wasn’t that I didn’t LOVE the other story, it just didn’t feel right to work on then. So i just let myself focus on where my energy was wanting to go: The Worm Fucks. And the worm fuck comic is the one people read first. Its the first comic of my own i really got to.. read and experience more than just the first chapter. Its been amazing but its so weird. I feel like its a different kind of artist that makes it sometimes.

I don’t regret the worm fuck comic being the one I’m known for but its still funny to me how easily it might have never happened. If the fire hadn’t taken away so much of my work, I probably would be still slowly pushing out pages for eggshells. Or maybe I would have given up and moved on to do something else with my art career? I don’t know. All i know is what I ended up doing was this weird worm comic that is still going on for .. thousands of pages! and has no end in sight! I didnt even expect eggshells to last 1,000 pages but now I can tell my page-pacing is different than how i expected. I still haven’t even finished a comic yet. Its weird? Am I able to finish comics? I guess I don’t know yet because I haven’t. i might “know” endings to my stories but its very different when actually getting it done. I understand that life is more complicated than that and things like fires can change the circumstances in 10 minutes.

So I’m feeling a fear about this uncertain future I’m facing, I’m seeing that I have to make a lot of huge life changes for where I am going to live and what I have to do to make money to support myself. I’m scared that my routine ive established with FFAK will have to change. I wonder if I’ll never be able to replicate the same exact “throw it all into the wind” energy of working like I was able to.. at least I know I can’t right now, because I need to be careful and calculated again. My surroundings arent stable enough for me to dive headfirst into my projects.

With that I’ve noticed I’m drawing eggshells a little bit and enjoying it like I haven’t before. Is it what I need right now? It feels weirdly comforting to know that, no matter what the history i have with this comic, I’ll come back to it and continue to pick at it a little. it makes me feel like, no matter where I’m going to be in this world physically-- my comics will come along with me and they dont have to leave. they arent a product of circumstance. I can get right back on the horse. Its just part of my life that doesn’t have to go away or be taken away from me. Its a nice secure feeling that there’s this art thing isnt something I have to start over. I’d rather build on what I’ve got and it might take me a long time but I enjoy the journey. That feels good to me.

Anyway, even if I’m scared about where i’ll go from here I know i’ll have my car of screaming comic babies at all different ages that are demanding my attention. and some are more patient than others, i’ve totally ditched some babies along the way that i might pick back up later or merge with other babies through some horrific experiment. I’ll even make some new ones because life inspires me constantly and I have so many problems to sort out and what better way than to project on some cool anime characters. but i love all my comic babies!!!!!! and they love me. i have unique and interesting histories with all of them.

comic baby is such a creepy word but it really feels like they are your strange brain children that are also you. i don’t ever want children of my own, but i can see that i pour.. small small aspects of that i think that energy might be into my comics. (im not pretending its actually the same thing to be perfectly clear.) They take up all your time + energy and make you constantly lose sleep..and they grow distinct personalities that you dont expect and have to deal with.. people will judge you for them and how you “raise” them (make them), you’re endlessly proud of these babies and protective and shed tears for them and want them to SUCCEED and live on forever. you want other people to love them TOO and see the best parts of them, for all their flaws. You want em all to grow up as you hoped or planned but they wont at all. They’ll be totally different but also better than you could have imagined.

Comics & Art are such a special thing to get to experience. While i hope that i can make my dreams a reality with my art, I know that they’ll always be an integral part of my life + how i experience and see life and i’m so thankful ive decided to really let room for it there. Its amazing to me that i almost thought it wouldn’t. and i wasnt going to be allowed to be happy with my art because it wasn’t good enough and i wasn’t enough. but i am. and it is good.

Thank you for reading. -Kosmic

[sn0tcl0wn]

also honestly maybe disney just wanted to do a fun crime romp about a crazy person and realized the only character who would truly be able to pull that off was cruella. like why does everyone think her backstory was meant to be a tear jerker or the movie was meant to be deep. it was about crime, fashion, and revenge. very simple and very interesting as concepts. wether you think it landed is your own opinion but i don't think this was meant to absolve her of anything because she was still a rude bitch with a broken moral compass and mental health that was shaky at best in the beginning and actively snapping at the end. she didnt even fully snap. that's gonna happen in the next movie. like if anything is gonna tell us why she wanted to kill dogs when she was older it's gonna be the sequel because, unlike maleficent, this was the first part to a full on retelling that will span multiple movies, not a prequel in the first third and then mostly canon accurate retelling for the rest.

this isnt even the same cruella. it's like getting mad that ouat cruella had magic. this isnt the same version and it's clearly taking notes from the recent rise of unhinged woman movies and how that resonates with people. and again who the fuck else is gonna be a better vessel for that kind of plot? no other iconic disney villain could do it. none of them could be so eccentric and out of their mind as her. and in all actuality she is way more redeemable compared to most disney villains.

yall just value dogs over humans so you think she's the worst when madam medusa and sykes and the evil fucking queen all exist. even SCAR was more evil than cruella. cruella was just nuts and consumed by fashion and her need for constant control and glamor. like i was never as scared of or hateful towards cruella as a child the way i was the characters who actually abused and tried to kill literal children (or their nephew cubs because, again, fucking scar). no i don't condone the skinning of a hundred puppies, that is truly horrific, but i also dont think she's as bad as yall are making her out to be when if this was a story about almost any other villain it would be trying to come up with reasons why they felt validated in the abuse and attempted murder of children or even just straight up fascism, racism, or misogyny in some cases.

like maleficent, cruella de vil was tame in comparison to most of the other villains and i really cannot think of too many other villains they could make movies about and not a single one would have been able to have a movie like her's without feeling out of place. like yeah ursula would be more compelling in many ways but it wouldn't have the same vibe or soundtrack and i think they just wanted to do a rock n roll period piece crime movie, saw an opportunity for some badass costumes and visuals, and went with it. and i feel like a lot of people are missing the point because maleficent was an honest narrator with a legitimately tragic story and deals with things like motherhood and grief while cruella is somewhat unreliable and has a sad backstory but is mostly just fuckin bonkers and grows to revel in it. you saw how serious the other one took itself and was supposed to be and said "clearly all the disney villain movies are like this" and then got mad when the one that would OBVIOUSLY be the most silly and wacked out was exactly that. some people went in expecting it to be like joker ffs (which it was but joker wasn't all that original either and in many ways cruella was like several other movies with similar plotlines, it's almost like...genre tropes and cliches exist).

i'm not sorry for ranting about this because i see your stupid fucking jokes all the time to a point where parts of the movie was spoiled for me because yall couldnt contain yourselves so i dont know why i should feel the need to keep my mouth shut. especially when most of you mfs like various forms of trash media too and only get away with it cause it's popular and because after all the shitty ones these past few years live action disney movies are easy targets. im not offended like the jokes were funny the first few times but it's been weeks now and i wouldn't be so annoyed if people actually watched it in good faith. like do any of you watch anything that isn't a cartoon or podcast with gay characters in good faith or do you just go about your lives getting mad over movies for tween-teenaged art kids who get bullied and want an outlet that isn't an r rated movie with violence or realistic drama? because at the end of the day THAT is the main demographic, not you, not even me.

it is a children's movie and yall are asking for depth because "kids deserve better" as if there arent soooo many other kids movies that have deep meanings and teach important lessons. like soul literally exists, just go watch that. oh right yall just wanna complain about disney movies as if the creators and stories are the same as the corporation that's putting them out is if half the shit you like isnt also disney owned. because at the end of the day it isnt even about the movies it's because you think blindly hating anything with the disney label is activism.